Seven, The movie Essay -- Film Review Moie Essays

cardinal, The movie Ernest Hemmingway once wrote, the world is a fine place and worth fighting for, I agree with the second part. The movie Seven ends with that quote stated by somersault, attempting to justify the many moral dilemmas touched upon by the movie but in the first place to bring the character of Somerset and the audience back to the beginning. The commensurateness of the characters that the quote creates between the beginning of the movie and the end would arouse been lost if the director David Fincher would have gone with the original storyboard ending. The beginning sequence does a great deal in showing the audience the personality of the two main characters. It fades in to Somersets apartment where we see a medium-long shot of Somerset over the sink. He is not yet ready for work. It cuts to a medium shot of him spirit in a mirror, adjusting his tie and collar very meticulously and yet as if he has done this many a time before. The camera shoots the amour propre top where Somersets personal items (keys, badge, pen, eyeglass case) are set, side-by-side, in order of their importance, in which he picks them up one by one. The camera cuts to the bed, neatly made, where his suit coat lies, precisely placed. He picks a piece of lint we cannot really see off of the coat before putting it on. Somerset has said nada in this scene and yet we have already deciphered the type of person he is a very neat, well-organized, meticulous person whose life seems to prepare around routine. With Somerset turning off his lamp, it fades into the darkness of the next scene, focusing on the large man lying face down on the underprice dead. It cuts to a long shot of Somerset slowly walking away from the light, looking around the room and stopping to notice what was on the refrigerator. When Somerset asks the opposite cop if the child saw the crime, the cop rudely replies, What kind of fucking question is that? You know, were all gonna be real glad when we get u nloosen of you, Somerset. You know that? Its always these questions with you. Did the kid see it? Who gives a fuck? Hes dead. His wife killed him. Anything else has nothing to do with us. This quote does two consequential things for the character of Somerset. First, it verifies our ideals of Somerset from the previous scene. His eye for detail entails us to conclude that he is a very skilled detective. It also shows t... ...t coincide with the final ending, creating symmetry that the audience can readily grasp, unlike the storyboard ending. The idea of original sin lies within the characters themselves, forming a bond with the audience that it depicts. Works ConsultedBrown, Royal S. Seven. Cineaste. 22.3 (1996) 44-47.King, Neal. Heroes in sullen Times Cop Action Movies in the U.S. Philadelphia Temple University Press, 1999.Macek, Steve. Places of Horror Finchers Seven and Fear of the City in Recent Hollywood Film. College Literature. 26.1 (1999) 80-97.Natoli, Joseph. Speeding to the millenary Film and Culture 1993-1995. Albany State University of New York Press, 1998. Rubin, Martin. Thrillers Genres in American Cinema. New York Cambridge University Press, 1999.Se7en. By Andrew Kevin Walker. Dir. David Fincher. With Morgan Freeman and Brad Pitt. New Line, 1995. Supplemental Material (Disc 2). DVD-ROM online content.Walker, Andrew Kevin. Seven Production Draft Screenplay. Script-O-Rama. Online. America Online. 11 Nov. 2001.